Electronic Press Kit


DISCOGRAPHY


COLLABORATIONS/GUEST APPEARANCES


LONG BIO

Tara Williamson is a Victoria-based musician who has been described as a poet and provocateur - the spark that ignites the flame. A First Nations singer/songwriter from Manitoba, her music is an unflinching document of self: the truth that hurts before it heals.

Over the last 8 years, Tara has established herself as a sophisticated lyricist and soulful voice in the Indigenous and Canadian music scene. Her first 2 EPs - Lie Low (produced by James McKenty) and ndn summer (produced by Kinnie Starr) were received with praise and made it on numerous music blogs and countdowns across Turtle Island.

Her debut album, Songs to Keep Us Warm (produced by Jim Bryson), built on the clever songwriting and expressive vocals heard in her first two EPs while revealing the deep heart of an artist willing to risk vulnerability in the pursuit of emotional truth. Songs to Keep Us Warm was nominated for Best Pop Album at the 2017 Indigenous Music Awards.

Tara’s newest offering is an 11-track album called Enough (produced by Justin Delorme). As a sophomore album, it succeeds in doing the hard work of demonstrating her growth as an artist: she trades in her hallmark cabaret-pop instrumentation for electronic elements and beats while seamlessly maintaining the impeccably rich vocals for which she has become known. Enough includes a co-write with Sarah Slean on the title track, and a collaboration with Gitxsan hip-hop artist The Northwest Kid on the first single, Almost.

Enough was borne out of Tara’s grief from the loss of her infant son. It is a monument of her willingness and ability to share her story in all its complexity and vulnerability. In particular, the track Enfolding, which was featured on the APTN series Amplify, has already been recognized as a moving and powerful record of loss and love.

Tara’s work has been supported by the Canada Council for the Arts, the Ontario Arts Council, Manitoba Music, the Banff Centre, and the Hnatshyn Foundation.  In 2020, Tara received the Joseph S. Stauffer Prize in Music from the Canada Council for the Arts.

In addition to her music career, Tara is also a professional writer, researcher, and educator. She is the Research Director of the Indigenous Law Research Unit at the University of Victoria (a position she shares with Jessica Asch) and a Research Fellow with the Yellowhead Institute. Tara holds degrees in social work, law, and Indigenous Governance.

Tara Williamson’s songs are unflinching and direct, hopeful and generous, suffused with snowy light. With Songs to Keep Us Warm, she offers us a safe haven from the storm.
— Christine Fellows
Williamson emerges as her own force, one that is as gentle as it is strong. In these songs, she pushes out into dark waters again and again, always returning to solid ground.
— Damian Rogers
 
Tara Williamson’s “Songs to Keep Us Warm” is an invitation. From the irresistible pop of “New York/LA” to the soothing lullaby of “Little Star,” this gorgeous album is in fact nine thoughtful and catchy invitations - to curl up, to listen closely, to hug yourself tightly, to hold someone close to you, to sing along, to sway, to dance, and to stand still. Invitations to “believe me, believe me” (I do) and “bring your hunger for ferocious love” (I will). When Tara says, “I sing you a love song,” my advice is to take it personally - yes, whatever you do, accept the invitation. Say yes and keep warm.
— Christa Couture


VIDEO


PHOTOS

Photos by Sean Stiller

 

Photos by Summer Faith Garcia at RezKat Studios


WRITING

Tara is a professional writer and educator. She holds degrees in social work, law, and Indigenous governance and has been a professor and instructor at Fleming College, Ryerson University/First Nations Technical Institute, Trent University, and the University of Winnipeg. She is currently a Researcher with the Indigenous Law Research Unit at the University of Victoria, British Columbia.

Below are links to selections of writing by Tara. For a full CV, please contact Tara through the website or at info.tarawilliamson@gmail.com


 

Williamson, T. (2019). “Yes, cultural appropriation can happen within the Indigenous community and yes,
we should be debating it” (May 20, 2019) at CBC: https://www.cbc.ca/news/opinion/appropriation-debate-1.5142729

Williamson, T. (2017). “It’s a Joy To Watch Indigenous Children Shine” (September 21, 2017) at CBC: http://www.cbc.ca/cbcdocspov/blog/its-a-joy-to-watch-indigenous-children-shine

Williamson, T. (2017). “Barbara Kentner” ArtsEverywhere available online at: http://artseverywhere.ca/2017/07/06/barbara-kentner/

Williamson, T. (2017). “Reconciliation and The Vanishing Indian” The Monitor (May/June 2017). Canadian Centre for Policy Alternatives available at: 
https://www.policyalternatives.ca/publications/monitor/canada%E2%80%99s-vanishing-point

Williamson, T. (2017). “Why gender is such a critical part of the national MMIW Inquiry.” (March 8, 2017) at CBC: http://www.cbc.ca/2017/why-gender-is-such-a-critical-part-of-the-national-mmiw-inquiry-1.4013949.

Williamson, T. (2017). “Just What Was the Sixties Scoop?” (February 17, 2017) at TVO: http://tvo.org/article/current-affairs/shared-values/just-what-was-the-sixties-scoop

Williamson, T. (2013) “Of Dogma and Ceremony.” Decolonization, Indigeneity, Education, and Society. (August 16, 2013). Ed. Eric Ritskes. http://decolonization.wordpress.com/2013/08/16/of-dogma-and-ceremony/